This track is made with my UGLY BABY home-made sequencer and VCO (Voltage Controlled Oscillator) in a prototype configuration that left it vulnerable to noise interference. The changes in sequence pattern were caused by cosmic RF buffeting the 4017 with inputs hovering between logic levels. The background noise was making the decisions. This track wrote itself with the help of the universe. I adjusted gain, delay and Pulse Width Modulation as a bystander.
The title relates to the feeling of eerie mystery and is a mishearing of a Joan Baez title from my youth that my sister perpetuated.
supported by 8 fans who also own “You Must Not Go to the Moon at Night”
I kept coming back to this record over the last month. It just kept being surprising and unraveling itself. I think I got a remnant of Londinium in some aspects, that definitely struck a chord. There's a delicate tension, in the whole album, from flirting with dance beats while never fully going there either. Feelings accumulate but they never get to unleash. You're in between worlds in unstable balance. To me, it is fantastic to have managed to capture such a complex emotion. Agathe The Blues